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Dr Michelle Castelletti identifies as an interdisciplinarian looking for connections across time, discipline, and medium. Following her studies which culminated in a Doctorate in Music (2013), she extended her studies into the liberal arts, and architectural history.  She later read for a Master of Studies in Literature and Arts, and a Master of Studies in Historical Studies, specialising in Medieval History.  Michelle is a medievalist, currently engaged in doctoral research at the University of Oxford (affiliation: New College; supervisor: Dr Elizabeth Gemmill), focussing on devotional practice in late medieval England, and the search for the sublime and the abstract sense of encounter with God, through the use (and symbolism) of light; and the significance given to this as shown through material culture (e.g. stained glass, candles, architecture, evidence in illuminated manuscripts), and documentation (e.g. wills, accounts, bishops' registers, visitation records).  She is captivated by the interrelationship between ecclesiastic architectural space, liturgical rite, and the senses.  She is a tutor for the Department for Continuing Education, as well as for Regent’s Park College Oxford Prospects and Tutorials programmes.  Michelle is enamoured with material culture, particularly with medieval ecclesiastical 'objects'.  She is on the committee of the Oxford Medieval Society; and was one of the convenors for the Oxford Medieval Graduate Conference 2023.   Her next presentation (The Sherborne Missal, BL Add MS 74236, c.1399/1400 – 1407: a case study in patronage and liturgical practice in later medieval England) will be delivered at the Medieval and Early Modern Studies Festival 2023 in Canterbury, Kent.  In Oxford, in June, she will be discussing the vibrancy (or not) of late medieval England, and the changes in the sacred soundscape brought about by the shifting paradigms of the Tudor Court during the Reformation and the Dissolution of the Monasteries.  She is Fellow of the Royal Society of Arts; affiliate of the Society of Antiquaries; and member of the Royal Historical Society, the Society of Architectural Historians of Great Britain, and the Foundation for Medieval Genealogy.  In her parallel life as an international award-winning artist, Michelle is a conductor, composer, and interdisciplinary curator.  She is published by Universal Edition Vienna, and recorded by BIS Records and ARS Produktion. Michelle is the Director of Oxford Festival of the Arts.

My current research project [working title] is:

Devotional practice in Late Medieval England: the search for the sublime and the abstract sense of encounter with God, as seen through the interrelationship between monastic architectural space and the senses, with a survey on the production and deployment of artificial and natural light.

Recent research interests:

  • A Picture of Pageantry and the Arches of Triumph: dramatic, visual, and literary representations of James I and the new Stuart dynasty through Thomas Dekker’s account of the 1604 Royal Entry and Stephen Harrison’s design for its setting

  • Architecture as a method of display: implicit and explicit agendas

  • Changes in the visual representation of the religious authority of the Tudor monarchy

  • Classical allegory and emblem literature in the portraiture of Elizabeth I

  • Ely Cathedral: architectural history, cult, and patronage (up to 1349)

  • Jacobean Court Masques: main cultural influences on narrative and visual presentation in the Masque of Blacknesse

  • Sacred Soundscapes: Shifting Paradigms in the Tudor Court – ad Spem

  • Stuart and Revett’s Antiquities of Athens and its influences

  • Symbolism and the Influence of medieval illuminations on the Pre-Raphaelites, particularly in Dante Gabriel Rossetti’s watercolour period

  • The Altar as Stage: Vibrancy of Monastic Life in Late Medieval England (a case-study approach)

  • The Cult of St Æthelthryth, patronage and architectural history at Ely Cathedral (until 1349)

  • The medieval stained glass windows in New College Chapel, Oxford (for the next journal of New College, New Notes, Summer 2023)

  • The Society of the Dilettante and the Grand Tour

  • Was the Book of Hours simply a prayer book for late medieval patrons?